But he has one ray of comfort for fans: if he can’t get it made as a movie, he’s open to doing it as a miniseries. Terry Gilliam is still pushing a Good Omens adaptation around for producers and studios.
#MERLIN PROJECT RUNWAY FULL#
According to Deadline, Gaiman will executive produce the adaptation, and with him holding full rights over his own novel, I imagine that we will definitely be seeing the racially diverse cast of the book realized on screen.Īnother Gaiman project, however, is still languishing in the Doldrums of development hell, with the barest mention keeping it from being consigned to the “not currently happening” box. Well, anyway, the torch has been picked up by FreemantleMedia, a European production company most known for producing a variety of the biggest programs in reality television ( Project Runway, X Factor, the various international Idol programs), but their most recent well known success in scripted television would probably be Merlin. Or maybe it had balked at the idea of a special effects heavy miniseries that represented (a supernatural, granted) America through the eyes of a biracial main character? Three months ago author Neil Gaiman confirmed that an adaptation of his best selling novel American Gods was no longer in development at HBO, because, in my educated opinion, HBO momentarily decided it was allergic to money.
150 Stockton St., neimanmarcus.Two items for fans of Neil Gaiman stories about anthropomorphic personifications: Good Omens is not yet completely lost, and American Gods has a new production studio and looks to be getting a new lease on televised life. Neiman Marcus picked up the line for its San Francisco store, which is a dream come true.Ĭhristopher Collins' line will be on view at Neiman Marcus through October. The fashionable woman in San Francisco is comfortable, confident, and has a creative way of dressing.
I am so proud of being a San Francisco designer. Do you design with the San Francisco woman in mind? Oh yeah. Lining, diagonal boning, center seams-it's all fashion jargon that a lot of people would find really boring. What was your favorite part of the experience? I haven't actually said this before, but one of my favorite experiences from this was that I had a group of people who I could always talk about clothing construction with. Of course, bitchiness comes out and people get into little catfights here and there, but then you get over it. There are dramatic moments because we are living and working together for days and weeks, often for 18 or so hours a day. What’s it like behind the scenes? The truth is, we were all friends with each other. It almost feels like a science experiment. I'm a runner, and I begged them so many times to go for a jog, but no, they keep it really controlled. Nothing is private and you barely get any alone time. You're away from your friends and family the whole time. On Project Runway, you don't have any connections with the outside world. It really confirms why I'm a San Francisco designer. But then when I get back to San Francisco and I see the skyline of my city-bay, trees, mountains, ocean-it just feels more relaxing and I remember that SF has so much to offer. It's so inspiring and you feel the sense of why fashion is the center as your cross the bridge from JFK into Manhattan. How does it feel to be back in San Francisco? I'm really glad to be home. We managed to steal him away from fans for a few minutes to talk about his experience on Project Runway, why he loves San Francisco, and how his dreams are coming true faster than he can blink. The charming, blue-eyed designer recently came home for a hot second to promote his entire collection at Neiman Marcus in Union Square. Christopher Collin’s white-walled, fabric-filled San Francisco studio furnished by a soft nude couch and design table has long been deserted since the beloved local artist left in June to compete in Project Runway’s eighth season.
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